Thursday, June 11, 2009

Just for Fun |  Parcheesi!



Found paper, vinyl letters and vintage game box on hardboard panel. Each 6" square.


... and now I'm thinking about acquiring more old board game boxes...

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Tuesday, June 09, 2009

Projects | Portland Greendrinks Posters

Portland Greendrinks is part of the international Greendrinks network -- an informal, volunteer-managed social networking group built around a common interest in the natural environment. It occurs on the second Tuesday of every month, starting around 5:30 pm. The goal of Greendrinks is pretty simple: good times shared among people working in, or interested in, environmental and sustainability issues.

I've been attending off and on for a little over a year now and have seen it grow from 50 people on a patio to several hundred. It attracts all sorts of people for all sorts of reasons—professional, personal, and social.

Each month's event is marketed in part via posters on bulletin boards and in shop windows around town. The posters are always produced pretty quickly and cheaply using donated designs. Last June, local Greendrinks organizer, Elliott May, and that month's host, Lora Winslow of O'Naturals, approached me to create that month's poster. One year later, one of my long-time clients (as a freelancer for Tugboat Creative), Portland Trails is hosting this month's event at Gorham Bike and Ski and I had another opportunity to toss together the month's poster image.

These are quick, fun projects with lots of creative control. It's been great to see what different artists and designers have done with them— two that stand out are the ones done last summer by the SOAP group (who also did the GreenDrinks Web site) and by Big Room Studios. They've all been fun to see around town leading up to each event, and I thought I'd share the two I designed here:



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Wednesday, June 03, 2009

Process | Portland Buy Local Directory Covers

Background

Portland Buy Local is a campaign of the Portland Independent Business & Community Alliance. When my friend and oftimes employer, Steve at Tugboat Creative, took on the job of art directing and layout for their first annual printed directory of local businesses, he approached me to design or illustrate an eye-catching cover to bring to life the title, "Find Your Independents." The job was totally open-ended—I could choose the concept and execute it any way I'd like. The only restriction was that the final design be confined to 2-color, cyan and black, for affordable printing to match the organization's logo.


Year 1: 2008-2009 Directory

The concept that I presented in my rough sketch, and that the Buy Local board agreed to, was an illustrative image that would capture the essence of a whole area of town, but without favoring any specific building or business. I wanted to point out that local businesses are all around you—you simply have to look. I chose to render the Old Port area, which is known for its eclectic array of local restaurants, shops, and galleries, as well as for its historic 19th century architecture and cobblestone streets.

To prepare, I wandered the streets, taking lots of photos of architectural details. I wanted the image to feel true to this part of the city, but without being identifiable as a specific location, so in my drawing I combined and recombined details from different buildings and street corners in the area.

To execute the final image, I scanned my drawing and used Illustrator's Live Trace tool to convert it to a vector, black & white image. I then added simple, blocky color behind the drawn layer. I was hoping to achieve a style reminiscent of the limited-color children's books I remember reading as a child.

Here's the progression from sketch to drawing to final cover:



Much of the hatching and shading details of the pencil drawing are lost or distorted in the tracing process, but those that remain help to give the final image a richer character than if they'd been left out in the original drawing.




Year 2: 2009-2010 Directory

Since downtown and the Portland peninsula tend to be the most obvious hub of the city's economic activity, the many businesses located off the peninsula can sometimes feel as though they are unfairly overlooked in conversations about local economy. Portland Buy Local has tried to combat this by regularly talking about and featuring these businesses alongside their downtown neighbors.

With a great response to last year's directory cover, but a feeling of being "left out" resonating from the farther reaches of town, the goal this year was to keep the theme and style going, but highlight a drastically different part of the city. The board agreed upon showing a mixed-use area typical of Brighton, Forest and Washington Avenues.

For me, this presented an interesting challenge simply because the local businesses in those parts of town are much more spread out geographically; it was a struggle to fit in enough distinctive details to make the place feel authentic and vibrant, and to simultaneously avoid highlighting the non-local chain businesses that share these landscapes.

To speed up the drawing process, I began the initial drawing at full size and presented it in its rough form as a sketch. The board asked for only a few minor changes. The final, traced and colored image is now completed and in the approval proess. The new directory comes out next month—look for it at over 200 locally-owned businesses all over Portland.

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Thursday, April 30, 2009

Client Profile | Blush Imagery

Blush Imagery is a boutique New England wedding photography company specializing in a natural, photojournalistic style. Owner, award-winning photographer Beth Fitzgerald, has a fun and spontaneous approach to wedding events that leads to relaxed images full of personality and life.

Background
When Beth came to me she was looking to redesign her branding materials from the ground up. She had just moved to Maine and was looking to redefine and freshen her clean and crisp, but somewhat stale, company identity as she entered the competitive New England wedding market. As the face of the company, she hoped that the new identity would express her own fun, lively personality and her knack for capturing her subjects' lovable, if quirky, traits. At her price point, she also needed to exude enough professionalism and class to appeal to a relatively well-to-do clientele.

Evolution

LOGO
The Blush brand identity began with logo concepts. The final logo design came extremely quickly and easily. Beth wanted to avoid cliché wedding imagery, like cakes, presents, and dresses. She has a strong background in photojournalism, so I based many of the logo concepts on abstractions of camera shutters, which happen to look a lot like asterisks when simplified to this extent. Surprisingly, Beth seized onto the second concept she saw and has loved it ever since, even when I tried showing her additional variations—I just couldn't believe the final design could come about so easily! The somewhat muted color palette was chosen as a more sophisticated, modern twist on traditional pastel wedding colors.



STATIONERY
From the logo, we moved on to stationery, which was printed on bright white smooth stock with rounded corners for a touch of the different.
We also designed a series of promotional postcard mailers:




E-MARKETING
Beth has a great design sense and has been able to design and maintain her own website to match the brand collateral design. However, when she needed a PDF e-brochure almost two years after the launch of her new identity, she asked me to dive into it. This was a great opportunity to continue to refine and revise the brand and bring in some exciting new elements to keep it looking fresh. A new san-serif font and round-edged box elements were introduced to echo the logo and organize information, and the color palette was expanded slightly. Since this is a selling tool, Beth's best photos were prominently featured, and the final page is an editable PDF to make signing their contract super easy for potential clients.



MAINTAINING RELATIONSHIPS
Following the e-brochure came the design of two additional e-tools to help Beth maintain relationships with existing and prospective clients—a blog and e-mail newsletter. These echoed and expanded on the visual design elements of the e-brochure.




What's Next?
Blush is all booked up for the 2009 wedding season and 2010 bookings are going strong, thanks in part to the new e-brochure. Beth is committed to blogging fairly regularly and just signed on to Twitter (http://twitter.com/BlushImagery). She is constantly revising the way she presents her clients' photos, albums and account info online to optimize the experience for them. These digital and interactive tools let her propel and market a great brand both online and off. And of course, her personalized service and beautiful images continue to delight her clients and their guests at wedding events most every weekend, all spring, summer and fall.

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Tuesday, February 17, 2009

Retro-/steampunk-influenced calling cards

I'm always excited when good friends ask me to design things for them. Usually they come to me not just because I'm a designer who is their friend and so might give them a deal (though I will), but because they share my design sensibilities and want to give me the chance to do my thing, my way, without any creative interference. That means I get to explore things I wouldn't for regular, full-paying clients.

I just wrapped up a quick little project like this for my friend Andy. He's transitioning out of ownership of a local coffee chain and not really sure what he wants to do with his career next. He was looking for a calling card that he could use to share his vital contact info with both personal and potential business connections. It needed to speak to his technical and mechanical aptitude and interests without implying that he was seeking any particular type of job position. He's a huge fan of steampunk design and collage art (a la Dave McKean), so I asked him to send me some stuff he'd seen that he liked the look of—an impromptu inspiration board of sorts. Here's what he sent over:




Comps

I leaned heavily on his inspirations for my first round of comps, scanning some mechanical bits from one of my favorite sources of copyright-free imagery, JG Heck's The Complete Encyclopedia of Illustration, and some ornate initial caps from an encyclopedia of general knowledge from the early 1900's. Here are the ideas I sent him:




We met and discussed the first round, deciding to avoid the overly feminine flourishes and veer toward more structure and solidity. We decided on a font and color palette and on generic gear imagery:



Final Design

Option 3 from the second set of designs was the unanimous favorite, and needed to evolve only slightly more. We decided to print the card both front and back, so I wrapped the background imagery seamlessly on all four edges and tweaked the placement of everything just a touch, and here's the final:

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Sunday, January 25, 2009

New workspace, new work

Last month my good friend Steve (of Tugboat Creative) recruited himself to fetch me a table and some adjustable-height legs from IKEA. I sprayed it with some leftover spar varnish, added a stool from Goodwill, hauled all my various supplies up from the basement, and now I've got a messy workspace adjacent to my office space. I christened it with some collage studies...




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